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Legendary film Harrison Ford will always regret it

Legendary film Harrison Ford will always regret it

Harrison Ford has now become one of the most charming members of Hollywood’s elite. But his position was not always guaranteed. The actor, famous for his roles in Star Wars And Indiana Jones, was not always the family ragamuffin he encountered as in his later years. For a time, he used far more caustic language, an outlet he unleashed not only on the work of others but even on his own films.

Photo of Ridley Scott in 1982 Blade Runnerthe film adaptation of Phillip K Dick’s 1968 novel Do androids dream of electric sheep? is often cited as the perfect rainy day film, one of the greatest films of all time, not to mention one of the pioneering moments in science fiction. The film starred Ford as the titular Blade Runner, Rick Deckard and Rutger Hauer as the android replicant Roy Batty. Vangelis also produced an indomitable score.

However, despite the undeniable excellence of the film, Harrison Ford expressed regret Blade Runner last year when he presented the Oscar for “Best Editing”. He pulled a crumpled piece of paper from his pocket and reeled off several “editorial suggestions” about the film he had written after watching an early screening of it.

“Opening too jerky,” Ford said. “Why is this voiceover track so terrible? He looks drugged. Were they all drugged? Dekker on the piano is endless. The flashback dialogue is confusing. Is he listening to a tape? Why do we need the third egg cup? The music from the synagogue is terrible in the street. We have to use Vangelis. Until Zora dies, the film is deadly boring. This film gets worse with each viewing.

Ford was particularly annoyed by the voiceover recording. He stated that he “was obligated by my contract to record this narration, which he found clumsy and uninspired.” To be fair to Ford, Scott also felt that the voiceover was poor and removed it from the 2007 Director’s Cut version of the film.

Addressing the complex nature of editing a film, Ford added: “The possibilities may seem endless, but the editor will work tirelessly, often in isolation, to make thousands of choices, placing the right piece of the right length in the correct order to arrive. to the best version of what the film wants to be. This is an extremely difficult process, neither for the impatient nor the faint of heart.

Confirming the actor’s position as one of the most difficult contributors to any production, Scott once claimed that Ford was “the biggest pain in the ass” he had ever worked with. “He will forgive me because now I get along well with him,” he added. “Now he has become charming. But he knows a lot, that’s the problem. When we were working together, it was my first film and I was the new kid on the block. But we made a good film.

They certainly did. The painting is considered one of the most significant works of the 20th century. It would shape science fiction as we know it and push Harrison Ford’s career into the stratosphere. With this role alone, Ford would not only establish himself as a family favorite, built on charm and snappy one-liners, but would also place himself among Hollywood’s most serious actors. He might not like it, but Deckard would complete Ford’s humanity and make him a legend in another way.

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